MiniMax H3 Best Motion | Text-to-Video

Basic Model : MiniMax H3|Published : Sep 13, 2026 23:24

Workflow

ssy

duration

aspect_ratio

prompt

integrated_multimodal_description: [Shot 1] A 15.00-second cinematic 3D animated martial-arts feature with polished stylized animal anatomy, detailed panda and fox fur, expressive but physically coherent poses, wet wood, pottery and water materials, crisp silhouettes, dramatic cool-blue shadow against warm orange sunset light, and brief smear frames only during the fastest motions. The setting is Cloudsteep Tea House, a vast wooden tea workshop built across mountain cliffs after a thunderstorm: tiered tea-drying decks, dark red beams, wet blue-black tiles, hanging bamboo trays, tea sacks, clay jars, steam pipes, a giant wooden waterwheel, a narrow bamboo walkway and a rope suspension bridge above a cloud sea. Spatial continuity remains stable. A 28mm medium-wide camera at the adult male anthropomorphic panda hero Po's waist height clearly shows Po's complete body from head to bare feet with roughly ten percent breathing room around him. Po has a heavy round black-and-white body, green eyes, beige shorts, a reddish-brown belt and wrapped lower legs. He holds a low martial stance on the left foreground. The complete body of an original adult female anthropomorphic red-fox staff fighter named Feiying is visible on a raised beam in the right background; she is slim and agile, with red-and-white fur, a dark teal short jacket, charcoal trousers, muted-gold wrist guards and one ordinary black wooden staff. Feiying stamps off the beam and dives as her staff sweeps low across the wet deck, cutting a narrow arc through the puddle. Immediately before real contact, Po lifts his left foot and leans his full body backward, and the staff passes visibly in front of his belly without intersecting it. The camera arcs right at fast speed while keeping Po's full-body action readable.

[Shot 2] At 00:01.400, Feiying continues the same rotation and brings the staff down from overhead. Po grabs a round bamboo tea-drying tray beside him and raises it at shoulder height. The staff first strikes the exact center of the tray; the woven bamboo bends deeply inward and wet tea leaves burst toward the lens. Only after impact do Po's knees compress and the boards beneath both bare feet crack. Po yields instead of resisting, hugs the tray like a wheel and rolls sideways beneath Feiying's arm. A low tracking camera follows close beside the rolling tray; beams and lanterns form curved motion blur while both character silhouettes remain clear.

[Shot 3] At 00:03.400, the camera cuts to a wide side view that establishes the tea house levels. Po brakes by touching the tray edge to the deck, his heavy round body rebounds upright, and Feiying sprints above him across three suspended tea-drying racks. Every footfall visibly bends a rack before it springs back. Po does not match her speed; he shoulder-checks the wooden locking pin beneath the rack system. The racks flip upward in a physically connected seesaw sequence. Feiying clears the first two, but the third rack contacts the soles of her feet first, compresses her legs, and only then launches her toward the giant waterwheel.

[Shot 4] At 00:05.800, an ultra-wide camera just above the water frames the giant wheel in the center. Feiying curls in the air, hooks her staff around a crossbar and swings onto a rotating paddle. Po jumps from the last raised rack onto a lower paddle; his weight depresses it and visibly accelerates the entire wheel. They exchange close-range martial actions on the moving wheel. Feiying delivers three short staff thrusts; Po makes real contact in order with an outward forearm parry, a downward palm press, and a compact shoulder deflection. On the third defense Po slips and hangs briefly upside down, then intentionally hugs a paddle and lets his weight reverse the wheel's motion. Feiying's paddle travels backward first, her balance breaks second, and the wheel throws her upward third. Water follows the real paddle rotation. There are no supernatural effects.

[Shot 5] At 00:08.400, Feiying folds and flips in the air, then points the staff down at Po. Po pulls free a loose round bamboo tray and holds it as a flexible shield. The staff tip hits first and drives a deep visible dent into the woven bamboo. Po's rear foot slides half a step across the wet beam, then he rotates his hips and angles the tray to redirect the staff into a clay jar. The jar rim shatters and releases steam and tea water. With Feiying's weapon arm pulled off line, Po steps from behind the tray and shoulder-checks her chest. Her torso compresses at contact, her tail whips upward, and only then does she fly sideways to the rope-bridge entrance, still holding the same staff.

[Shot 6] At 00:10.800, a fast lateral tracking shot follows Feiying retreating along the wet rope bridge, alternating staff taps on the bridge boards for balance. Po follows with heavy steps; each step depresses a board and ejects rainwater through the gaps, building one coherent wave through the entire suspension bridge. Feiying uses the rising bridge to reverse direction and thrust the staff straight toward Po's chest. Without stopping, Po catches the solid shaft between both palms, retreats across exactly two boards to absorb the force, then sinks his hips and twists his waist, transferring the linear force into the bridge's swing. A large physical wave rises from beneath Po and catapults Feiying and the staff back toward the tea-house deck.

[Shot 7] At 00:13.200, the camera follows Feiying toward the deck and rolls clockwise by only twenty degrees. She releases the spinning staff. Po holds a bridge rope, swings back onto the platform, catches the staff with one hand, and supports Feiying's falling back with the other so she does not fall over the cliff. Their landing depresses the boards before they rebound, sending one ring of puddle water outward. During the final 0.60 seconds the camera holds a medium-wide composition: Po's complete body stands in the center, breathing lightly and holding the black staff horizontally; Feiying's complete body sits beside him inside a broken bamboo tray and looks up in surprise. The waterwheel continues turning slowly behind them, orange sunset light crosses blue steam, and a few tea leaves drift between them. Po gives one brief satisfied smile. Preserve identical character identity, fur pattern, proportions, clothing and the single staff throughout. Real characters are one Po and one Feiying only. No dialogue, no visible text, no subtitles, no logo, no watermark, no close-up in the first frame, no extreme foot perspective, no extra limbs, no missing limbs, no fused hands, no face drift, no costume change, no duplicate weapon, no sudden location change, no human transformation, no magically thin Po, no blood, and no death. No clones, sorcery, chi beams, colored energy, lightning, levitation, teleportation, game UI, turn-based pauses, environmental intersection or passing through solid beams, trays, wheel paddles, bridge boards, ropes, bodies or weapons. Every strike strictly follows solid contact, local compression or material bending, then whole-body displacement.

overall_soundscape: Post-storm dripping, distant thunder, wooden creaks, waterwheel rumble, tightening bridge ropes, Po's heavy wet footsteps, Feiying's light landings, bamboo flexing, wooden-staff whooshes and impacts, a clay jar breaking, steam release, tea water and synchronized splashes create a continuous spatial action track. Both fighters make only brief exertion breaths and nonverbal grunts; there is no spoken dialogue.

non_diegetic_music: Fast Chinese martial-arts orchestral scoring with tanggu and hand drums, wooden percussion, low strings, restrained brass and short dizi motifs. The tempo accelerates at 00:05.800 for the waterwheel fight, reaches its strongest percussion at 00:10.800 on the rope bridge, and resolves on the final landing with one clean gong strike and a short low-string cadence.

Instructions

A high-motion text-to-video workflow powered by MiniMax H3, combining Combat LoRA and Motion Repair LoRA to improve complex action understanding, combat logic, impact reactions, and motion continuity. It generates dynamic fight sequences directly from text while reducing motion blur and action artifacts during fast movement. Suitable for 3D animation, anime action, game cinematics, and combat PVs. It takes 6 minutes and costs $0.32 to generate a 15-second video.

MiniMax H3 Best Motion | Text-to-Video. A high-motion text-to-video workflow powered by MiniMax H3, combining Combat LoRA and Motion Repair LoRA to improve complex action understan…

Gallery

No creation yet